180 Degree Axis rule and coverage.
Another aspect of the 180 degree axis is that the closer to the axis the camera is, the more the viewer's point of view resembles the characters, and thus he feels WITH the character. This encourages the important identification with the characters which viewers should feel.
Proper coverage close to the 180 Degree axis is this from THE MALTESE FALCON:
Notice how close to the axis these shots are. An example crossing the axis is seen in this same scene but with the Bogart shots flipped. Notice how confusing this can be:
Notice how close to the axis these shots are. An example crossing the axis is seen in this same scene but with the Bogart shots flipped. Notice how confusing this can be:
Both characters are looking from Left to Right and seem to be looking off somewhere else.
Instead of standard "Coverage" showing the inter-relationship of characters, another method of SHOT/REVERSE/SHOT can be utilized where the character's Point of View is seen. Afred Hitchcock used this method extremely effectively to create a connection with the character. Basically the format is:
- 1) Show the character looking.
- 2) Show what the character is looking at and;
- 3) Show the character's reaction to what he is seeing.
A classic SHOT/REVERSE/SHOT is seen in the Wonderful film SHERLOCK JUNIOR.
Our concept is going to be based on comedy. Our target audience is 16-24 year olds mixed cultral comedy and will interest sudents although employed member can also intereact.We will be filming this in many wide spread areas outside and inside but details are yet to be decided also when is under construction, we are decideing on when are were auditions will take place and what type of people.